We are in Aegina, an island in the Saronic Gulf, whose capital and main port shares the same name.
The film opens with the harbor with moored boats and a large vessel in the background. The filmmaker focuses on the boats and then shows us the waterfront, featuring a row of horse-drawn carriages lined up waiting for passengers, while people stroll back and forth. Returning to the boats and the deck of one of them, the sequence focuses on its traditional mechanical equipment; we see an old, robust manual winch used for hauling the heavy anchor chain, which is piled on the deck floor, along with a tightly coiled, thick hawser (mooring rope). The lens then focuses on the wooden mast of a traditional vessel as well as the exterior of the boat.
The recording continues with shots of the Aegina harbor, where traditional caïques and smaller vessels are gathered near the pier. Fishermen and locals are seen working or talking aboard the boats. We see the fishermen engaging in their daily activities, such as hauling in nets, before the camera tracks a horse-drawn carriage.
Next, we observe two men conversing, one of whom is wearing a vintage camera of that era. A caïque is seen sailing, with the town's architectural layout visible in the background. A shot of the Holy Church of Agios Nikolaos Thalassinos (Agios Nikolaos of the Pier) follows, which is located at the edge of the breakwater at the harbor's entrance, as well as a panoramic view of the waterfront, with the filmmaker zooming in on the Church of Agios Nikolaos.
The lens focuses on the name of a boat, “NAUTILUS II”, and then scans its deck. We see a ship entering the harbor, followed by a gathered crowd watching a man crafting a structure with his bare hands.
The film closes with two boats sailing.